All Rosso Fiorentino Oil Paintings

Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.
 

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Rosso Fiorentino Madonna and Child oil on canvas


Madonna and Child
Madonna and Child
Painting ID::  29155
  mk65 ca.1517 Oil on canvas transferred from panel
  mk65 ca.1517 Oil on canvas transferred from panel

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  INS/CM       Quality

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Rosso Fiorentino Madonna Enthroned with SS.John the Baptist,Anthony Abbot,Stephen,and Benedict oil on canvas


Madonna Enthroned with SS.John the Baptist,Anthony Abbot,Stephen,and Benedict
Madonna Enthroned with SS.John the Baptist,Anthony Abbot,Stephen,and Benedict
Painting ID::  29854
  mk67 Panel 67 11/16x55 1/2in Uffizi,Gallery
  mk67 Panel 67 11/16x55 1/2in Uffizi,Gallery

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  INS/CM       Quality

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Rosso Fiorentino Madonna Enthrouned with Ten Saints oil on canvas


Madonna Enthrouned with Ten Saints
Madonna Enthrouned with Ten Saints
Painting ID::  29855
  mk67 Panel 137 13/16x82 11/16in
  mk67 Panel 137 13/16x82 11/16in

Height    Width


  INS/CM       Quality

X

  

Rosso Fiorentino Angel Musician oil on canvas


Angel Musician
Angel Musician
Painting ID::  29856
  mk67 Panel 15 3/8x18 1/2in Uffizi,Gallery
  mk67 Panel 15 3/8x18 1/2in Uffizi,Gallery

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Rosso Fiorentino Assumption of the Viorgin oil on canvas


Assumption of the Viorgin
Assumption of the Viorgin
Painting ID::  32488
  1517 Fresco, 385 x 395 cm
  1517 Fresco, 385 x 395 cm

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     Rosso Fiorentino
     Italian Mannerist Painter, ca.1495-1540 Born in Florence Italy with the red hair that gave him his nickname, Rosso first trained in the studio of Andrea del Sarto alongside his contemporary, Pontormo. In late 1523, Rosso moved to Rome, where he was exposed to the works of Michelangelo, Raphael, and other Renaissance artists, resulting in the realignment of his artistic style. Fleeing Rome after the Sacking of 1527, Rosso eventually went to France where he secured a position at the court of Francis I in 1530, remaining there until his death. Together with Francesco Primaticcio, Rosso was one of the leading artists to work at the Chateau Fontainebleau as part of the "First School of Fontainebleau", spending much of his life there. Following his death in 1540 (which, according to an unsubstantiated claim by Vasari, was a suicide ), Francesco Primaticcio took charge of the artistic direction at Fontainebleau. Rosso's reputation, along those of other stylized late Renaissance Florentines, was long out of favour in comparison to other more naturalistic and graceful contemporaries, but has revived considerably in recent decades. That his masterpiece is in a small city, away from the tourist track, was a factor in this, especially before the arrival of photography. His poses are certainly contorted, and his figures often appear haggard and thin, but his work has considerable power.

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